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COLOR HUMANO -II(70sArgentine Hendrix-Style Rock) MINI SLV. CD

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4851
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  • Product Description

    Argentinian import. Reissue on Cd of debut album by Argentian power trio strongly influenced by JIMI HENDRIX EXPERIENCE, CREAM , as well as GROUNDHOGS and MAY BLITZ. Featured ex-ALMENDRA members. Contains some excellent guitar work by EDELMIRO MOLINARI.   import


    After Almendra broke up, three extremely important Argentine groups emerged: Pescado Rabioso, Aquelarre and Color Humano. Color Humano was a power trio influenced by Cream and The Jimi Hendrix Experience, as well as groups like Groundhogs or May Blitz. The name was taken from the song penned by Edelmiro Molinari (leader and author of almost all their repertoire) for the first Almendra LP. Besides Molinari’s extraordinary guitar, the first line-up included Rinaldo Rafanelli on bass and the versatile David Lebón (Polifemo, Pappo’s Blues) on drums. The first LP begins with a nice melody sung by Gabriela (Molinari’s wife), backed up by acoustic guitar and vocals. Some energetic stuff follows (‘Silbame oh cabeza,’ featuring ex-Almendra Rodolfo García on drums, and ‘Introducción polenta’) together with quieter ones (the instrumental ‘El hachazo,’ ‘Larga vida al sol,’ and ‘Humberto’). All themes feature the ever-present guitar. Soon after the album’s release, David Lebón left to join Pescado Rabioso and was replaced by Oscar Moro (ex-Los Gatos and Huinca). The band was much more solid with this new line-up.

    Between March and June 1973, Color Humano recorded enough songs for a double album. Due to business decisions the album was released as two separate LPs on the newly created Talent label. The cover of the first volume featured a drawing of the members of the group facing forward, while the second volume, showed a drawing of them facing backwards.

    The new songs were richer and more elaborate, spanning different rhythms and styles. The first record of this unreleased 2-LP set is great. ‘Sangre del sol’ (featuring female jazz singer Egle Martin on percussion) has an uptempo Latin rhythm; ‘La tierra del gitano’ is a slow song; ‘Humanoides’ (featuring Rinaldo on organ and Edelmiro on piano) is a potent effort; ‘Un blues para Adelina’ is a blues. The second part of the uneleased 2-LP set is just as good: ‘Hombre de las cumbres’ is energetic and complex; ‘Mañana por la noche’ is a simple blues-rock joyful ditty; ‘A través de los inviernos’ is a hard answer to Gabriela’s ‘Haz tu mente al invierno del sur’; ‘Hace casi 2000 años’ begins softly with an angelic vocal interlude, but ends with the power trio at their best; ‘Cosas rústicas’ is reminiscent of Jimi Hendrix’s ‘Little Wing’; ‘Vestidos de agua’ is a beautiful melody (featuring Jorge Cutello on flute) that leaves us repeating the last verse ‘cada vez que te miro/ aumenta mi ilusión "each time I look at you/ my illusion grows).

    Unfortunately, Color Humano split soon afterwards. Edelmiro and his wife Gabriela moved to Los Angeles. Rinaldo Rafanelli went to play with Sui Generis and Polifemo, among others. Moro later joined La Máquina de Hacer Pájaros and played in many other outfits.   

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