An album that has the unfinished feel of a demo record (which is good), a bit like Merrell Fankhauser's “Fapardokly” LP from 5 years earlier—except the main influence here is early Neil Young.
The main appeal to present-day listeners will be the minor key acoustic guitar strumming that makes it a folk record, and the minimal but effective lead guitar that fleshes out the songs and gives them an unusual edge.
The lyrics wont appeal to modern-day cynics, but the youthful, melancholic delivery gives them a depth beyond the misleading, easy-listening label assigned to this reissue. The title track is a simple but effective paean to natural beauty that closes the record in a satisfying manner.
Comparable records in terms of feel would include the likes of Fenner, Leland & O'Brien, Dave Lamb & Gye Whiz, Songs of David Lewis, etc - if any of those appeal, then this record will also.
Lysergia review: “Recently discovered Christian hippie 1970s folk/rock LP with a nice, loose vibe. Sound is typical for the style, rooted in a melodic CSNY sensibility, recalling Stills' melancholic moves in particular. I also catch an Eastcoasty "Big Pink" vibe here and there. Opening track is deceptively soft and poppy, after which the LP gradually increases its depth, ending up with some truly great numbers that rate alongside the best of the genre. Vocals are not remarkable but fit the overall reflective mood well, while the band plays loose (sometimes very loose) and laidback, with a bass unusually high in the mix for added groove. Comparisons made to Kansas City Jammers are useful, if you imagine this LP as the dark mirror image of the upbeat KCJ.”