ROLAND, PAUL -Bates Motel (Cramps/ 60s psych punk style )LTD ED 180 gram LP

SKU:
24562
$25.00
Width:
12.00 (in)
Height:
0.25 (in)
Depth:
12.00 (in)
Current Stock:
2
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Cult English baroque rocker Paul Roland  has left the mock gothic grandeur of his past albums such as 'Danse Macabre', the Edwardian proto-steampunk offerings of 'A Cabinet of Curiosities' and the dark woods of folk-themed 'Grimm' to plug his electric guitar in and thrash to death such titles as 'I Was A Teenage Zombie', 'Tortured By The Daughter of Fu Manchu', 'How I Escaped From Devil's Island' and the title track ‘Bates Motel’.

Someone has evidently been listening to The Cramps and Johnny Cash! For those who might find the pace rather bracing, there are also a couple of spaced-out psych tracks (including a paean to the dark Indian goddess Kali) and a creepy tale or two with a suitably atmospheric setting - one inspired by a ghost story written by England's master of the macabre M.R. James ('The Wailing Well'). The lighter side of Roland's macabre humour is embodied in a couple of classic Sixties psych-punk tracks with a twist (‘Tortured By The Daughter of Fu Manchu’ and 'Crazy'), plus a sly pastiche of self-righteous evangelical preachers on the gospel tinged 'Promised Land' and a typical Roland offbeat Arabian adventure ‘Khatmandu’.

•New remixed sound + alternative cover artwork to the Sireena 2013 CD edition.

•Limited to 200 black vinyl copies.

Factory sealed album. 180gr vinyl as usual.
Roland: "In the late 1980s I interviewed several members of the Velvet Underground for a national English newspaper and at the end of the interviews I asked Nico, Sterling Morrison and Maureen Tucker if they would be interested in recording with me and they seemed genuinely enthusiastic. So I wrote some songs for them and sent the tapes over to the States, but there were technical problems that couldn't be resolved… so the songs were shelved, until now. I had spoken to Sterling several times on the phone and he had written back saying that he was keen to record and he liked the songs, particularly the structures, I remember, but I didn't pursue it, thinking that we had all the time in the world to get together. Then sadly he died and soon after so did Nico. Then my own music went off in a more psych-folk direction and I forgot all about the PR/VU project. But recently after making a number of intimate acoustic albums I was itching to rock again and I thought it was time to dust off the songs I had written for them and complete those which I hadn't finished. 'Bates Motel' is not Paul Roland imitating the Velvet Underground - that would be pointless - it is the album that I would have made with Mo, Sterling and Nico had I been a bit more aggressively ambitious and made sure the opportunity wasn't lost."