BEAUTIFUL DREAMS- Ember Sixties Pop: Volume 5, Ember Girls (1966 to 1969)- COMP CD

BEAUTIFUL DREAMS- Ember Sixties Pop: Volume 5, Ember Girls (1966 to 1969)- COMP CD

SKU:
19204
$10.00
Width:
5.00 (in)
Height:
0.25 (in)
Depth:
5.00 (in)
Current Stock:
1
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Description

Nice shrink-wrapped slip-case packaging

All recordings are mastered from tapes and the booklet is illustrated with sleeve and label shots. The original Ember records are highly collectable: so you can’t beat these great beat and rock collections from the Ember vaults.

The concluding chapter of the Ember Sixties Pop series, which covers the years 1966 to 1969, and compiles the releases of three fine female singers. The publicity conscious Ember boss Jeffrey Kruger saw an opportunity to promote supermodel Twiggy as a singer, and signed her to the label in 1966. Her two singles were written and produced by Tommy Scott, who had overseen Twinkle’s hits ‘Terry’ and ‘Golden Lights.’ At the time, the singles became huge hits in Japan, which resulted in Twiggy appearing at the Budokan Hall in Tokyo, not singing her songs but parading the latest fashions while a local group played Beatles covers as accompaniment! Linda Thorson was a television favorite as the glamorous sidekick on The Avengers TV series.

Ember revealed the singing side of her talents via a deal in 1968 with singer-songwriter/producer Kenny Lynch. Lynch came up with four very commercial songs for the recording sessions: ‘Here I Am’ ‘Better Than Losing You,’ ‘A Bad Time To Stop Loving Me,’ and ‘I’ll Just Pick Up My Heart.’ Linda’s next Ember session occurred in May 1970 in Beverly Hills, so, for completeness sake, they have extended the timeline to present those three songs in this compilation. Julie Rogers, a powerful singer with stunning looks, shot to fame in 1964 when her second Philips single, ‘The Wedding’ was a transatlantic hit both in the UK and USA. Her next contract was signed with Ember in 1969. Two sets of sessions that year produced the fourteen tracks that made up her album “Once More With Feeling,” presented here in its entirety.