Today we’re launching a new line of T shirts, hoodies, tote bags, mugs, and more. Check out the cool El Perro embroidered tie die shirt and hats, plus new Bomp and Alive shirts in lots of different colors. Check it all out here, all free shipping too.

Also just listed, more archival cds and some more of those bent corner bargains you love so much.

And a nice shipment of cheapo cds too, and some restock vinyl. Click on the pretty pink box to see it all.

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NEW ARRIVALS

26358, 26378, 26383, 26382, 26381, 26379, 26377, 26380, 26375, 26376, 26271, 26368, 26371, 26370, 26366, 17315, 26367, 26385, 26384

RESTOCKS

23018, 10607, 12753, 23494, 11172, 15120, 19051, 18946, 15361, 26042, 24840, 19760, 23325, 18971, 18972, 20057, 18281, 20152, 22972, 10134, 15699, 26038, 16165, 19936, 10256, 15326, 24763, 26039, 16805, 20406, 26020, 23655, 21225, 24853, 20151, 24854, 20346, 19025, 18999, 19996, 20408, 17823, 21740, 26088, 19204, 13277, 12986, 12744, 19762, 19205, 24143, 24681, 21068, 20820, 20821, 22891, 17090, 20838, 19498, 20978, 16715, 19500, 15357

NEW ARRIVALS

SHADOW -Punk Rock AgentLabel:NDN Fourth release in NDN's "Fuck The B-Side" series. Pressing of 450 copies. 45 RPM $5 SKU:26358

CHARLES WRIGHT- THE WATTS 103RD STREET RHYTHM BAND - Live At The Haunted House : May 18, 1968 DBL CD Label:RHINO HANDMADE NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT CD $15 SKU:26378

EASYBEATS- THE DEFINITIVE SERIES - AUSSIE 2008 JEWEL CASE RELEASE Label:ALBERT PRODUCTIONS NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT. CD $10 SKU:26383

ELECTRIC PRUNES- LONG DAY’S FLIGHT EDSELLabel:EDSEL NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT. TRACK LISTINGS: (1). Ain't It Hard (2). Little Olive (3). I Had Too Much To Dream (Last Night) (4). Luvin' (5). Get Me To The World On Time (6). Are You Lovin' Me More (But Enjoying It Less) (7). Bangles (8). Train For Tomorrow (9). Sold To The Highest Bidder (10). Try Me On For Size (11). Dr Do-Good (12). Hideaway (13). The Great Banana Hoax (14). Children Of Rain (15). Antique Doll (16). I Happen To Love You (17). Long Day's Flight (Til' Tomorrow) (18). You Never Had It Better CD $10 SKU:26382

FLAMIN GROOVIES AT FULL SPEED - THE COMPLETE SIRE RECORDINGS - DBL CD LINER NOTES BY GREG SHAW!Label:RHINO NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT . Dedicated with love and respect to the memory of GREG SHAW (31st January 1949 to 19th October 2004).Contains the complete Sire recordings of The Flamin' Groovies, including the bonus tracks from the UK releases of "Now" and "Jumpin' In The Night". CD $50 SKU:26381

LOU REED & JOHN CALE- SONGS FOR DRELLA -Released in standard jewel case with 16-page booklet including lyrics & credits.- Label:SIRE NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT CD $10 SKU:26379

ROLLING STONES -12X5 - DIGIPAK -Label:ABKCO NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT. Remastered 1964 compilation originally released to coincide with the band's second American tour. Essentially an expanded version of the UK EP Five by Five, plus their third & fourth American singles, "It's All Over Now", recorded at Chess, and the first Billboard top 10 hit, "Time is on My Side", which features an organ intro rather than the better known guitar version that's the second British album. Mick and Keith's songwriting partnership is hitting it's stride by this time, with three of their songs on the album, "Congratulations", "Grown Up Wrong" and the excellent "Good Times, Bad Times", an homage to the country blues singers they loved so muc CD $10 SKU:26377

STAX- 50TH ANNIVERSARY CELEBRATIONDBL CD JEWEL CASE-Label:STAX NOTE: NOT SEALED Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT. When Concord Music purchased Fantasy Records in 2006, the bulging Stax catalog came along for the ride. Not a bad deal, especially since Stax remains one of the richest and most vital sources of '60s and '70s soul, blues, and R&B. The newly reactivated label's debut release is a lavishly boxed double-disc set of 50 highlights--as opposed to hits--from the Memphis label's voluminous vaults to celebrate its 50th anniversary. All the usual suspects appear, including Otis Redding, Sam & Dave, Isaac Hayes, Johnnie Taylor, Eddie Floyd, Albert King, and the Staple Singers. But the compilers deliver a well-rounded, even eclectic collection by including tracks from such relatively obscure acts as the Astors, Ollie & the Nightingales, the Mad Lads, Linda Lyndell, and Mable John, whose "Your Good Thing (Is About to End)" is one of the great lost soul treasures. Propelled in large part by house band Booker T. & the MGs, the majority of these songs have become integral threads in the fabric of American soul. Even at two and a half hours, there's not a dull moment here. That is a testament not just to the Stax musicians, but to a label whose artists defined a classic sound that remains as timeless, relevant, influential, and electrifying as when it was recorded. --Hal Horowitz CD $8 SKU:26380

STOOGES - DOUBLE CD IN SLIPCASE- Label:ELEKTRA RHINO NOTE: SEALED but small drill hole in case. Archive copy previously owned by either the owner of ALIVE or BOMP. CDS ARE MINT CD $20 SKU:26375

WAILERS- BURNIN - DELUXE EDITION DBL CD Label:TUFF GONG SEALED Originally Released October 19, 1973. This edition has a 20 page booklet containing lyrics and production notes. CD $15 SKU:26376

MIXED UP MINDS - Pt 14- Label:PAST & PRESENT (UK) On CD, here is volume 14 in the series dedicated to those great (yet obscure) pop tunes emerging from the aftermath of the psychedelic era. The 20-page booklet offers liner notes and rare colour photographs. COMP CD $19 SKU:26271

BLACK KEYS- BIG COME UP -STARBURST VINYL! BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $15 SKU:26368

JESPER LINDELL -BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $10 SKU:26371

JOHN THE CONQUEROR -ST YELLOW VINYL -BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $10 SKU:26370

PAUL COLLINS - KING OF POWER POP -ORANGE -BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $10 SKU:26366

SSM- -BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $10 SKU:17315

SWAMP DOGG - RIGHT ON -BENT CORNER BARGAIN! Label:ALIVE PERFECT VINYL, sealed. Here’s your chance to hear some great music at a fantastic price. LP $10 SKU:26367

RESTOCKS

49TH PARALLEL- ST (60’s psych) w 11 bonus tracks and 12 page booklet. - Label:LION First proper version of this legendary Canadian psych album, supplemented by eleven bonus tracks, two of which have never seen reissue before now. Strong melodies, great playing and sympathetic production, make for a must own collection of songs./The twelve page booklet includes two slightly different views of the band's history, as well as the notes from the original LP release. CD $10 SKU:23018

A BOLHA- Um Passo a Frente ( 60s Brazilian Psych) -Label:LION Brazilian band the Bubbles became the toast of the underground Rio de Janeiro scene, backing Tropicalist singer Gal Costas residence at the Sucata night club in 1970. They won the Best Band of the Festival award at the VII FIC of 1971 (International Festival of Songs), the same year they appeared on Lenos Vida y obra de Johnny McCartney album. After venturing to England to attend the Isle of Wight Festival, they decided to experiment with a heavier sound, more akin to UK bands of that era (Deep Purple, Cream, King Crimson, Humble Pie, with a little Beatles White Album in for good measure) than that of their Brazilian cohorts. A name change to A Bolha later, still loaded with verve and swagger, fueled by drugs, they recorded their first album, which has secured a permanent place as one of the best hard psych rock albums to ever emerge from South America. The LP, Um Passo a frente (A step forward), was released in 1973 by the Continental label, in a gatefold cover which was quite luxurious for the era. This masterpiece, now impossibly hard to find as an original, certainly made a name for A Bolha in the pantheon of 1970s Brazilian rock. But success in the early 1970s was not like it had once been in the old Jovem Guarda or Tropicalist days, when bands had weekly TV shows to help them become well-known nationwide‹and eventually, worldwide. In other words, the meager abilities of Continental to promote the album made it a collectors item, not the fate a band would actively seek for their recordings. Luckily, we at Lion Productions are able to present these recordings to the world all over again, with the additional benefit of a 20-page booklet with band history, photos, and comments on the songs by band leader Renato Ledeira. Includes both sides of the bands infamous hard-rocking 1971 single as bonus tracks. CD $12 SKU:10607

AURA- Sativa (70s SF psych funk -SAALE! Label:CICADELIC S.F. based psych-funk band that formed in 1974 and played extensively throughout Northern California. Replete with rare band memorabilia and three previously unreleased bonus tracks. CD $10 SKU:12753

BEAT BOYS - ST ( Brazilian 60s pop-psych , 20 page booklet and rare singles track) - Label:LION Laden with torrid psychedelic moments (released by RCA Victor in 1968), as well as a rare singles track from the same year. A 20-page booklet includes lyrics, and an exploration of the Beat Boys’ fascinating story. .Along with Os Mutantes, the Beat Boys represented the most radical element in Brazilian rock: their name, clothes, hair—and intense fuzz guitar raves—were all fierce indicators of a rebel spirit, and this in a dangerous time for such self-expression. Here is the simple truth: The Beat Boys were at the very epicenter of the cultural revolution that convulsed Brazil during the late 1960’s, that movement of rupture, that bringing together of electricity and avant-garde erudition that has come to be known as “Tropicália.” They backed Caetano Veloso and Gilberto Gil for their defining moments as artists—both live, and in the studio on tracks which became the opening Tropicalist salvo (a rare EP). So, what were this group of Argentine rock musicians doing in the forefront of all things outrageous in Brazil? More to the point, why is it that very few people, even among the Brazilian music cognoscenti, have ever heard of them? One explanation must be the fact that the band were essentially outsiders to the Brazilian music scene. As unlikely as it was for them to penetrate the inner circles of Brazilian elite musicians (it was unlikely), it was even more unlikely that they would remain there once their closest friends, Caetano Veloso and Gilberto Gil, were exiled from Brazil. This disc includes the Beat Boys entire output under their own name: their sole album—an exercise in what one might call “controlled Tropicália”,“Caetano called the Beat Boys, an Argentinean group settled in São Paulo who had been inspired by the Beatles, to accompany him in ‘Alegria, Alegria.’ That, in fact marked the beginning of the Tropicalista thing.” —Gilberto Gil CD $12 SKU:23494

BEAUTIFUL LOSERS - Nobody Knows the Heaven (70s French pop Bolan style ) Label:LION To set the scene: it’s 1974, it’s Paris, two young guys in their bed-sit (one of whom is French music maven/famous producer Jay Alanski) are dreaming of counter-culture, and their internal versions of California and New York. The result is this album, a child begotten of Marc Bolan, Baudelaire, and Lautréamont; a fascinating record, subtle and engaging as it is scarce; the re-creation of a parallel pop universe which one Michael Moorcock wouldn’t have renounced. Somehow, the duo get their record out into the world on Monde Melody’s one-off “Silk” imprint (a tribute to Marc Bolan). And what twisted songs (in English) they managed to squeeze into a fifty-minute slab of vinyl. The music drips with deep nostalgia for the decadent “beautiful people” who lived and breathed and then found a home in the songs of Lou Reed and Leonard Cohen, pervaded throughout with a kind of psychedelic sadness. All of this is expressed by means of long jagged acid guitar runs (or in acoustic strums) supported by Moroccan percussion (bongos?) and heavy bass lines from Christophe J. A post-quaalude album, as band leader Jay Alanski has said. If the LP had been released in 1971, everyone would point to T-Rex as an influence, and call it “glam folk”; fast forward to today and it’s hard not to think “loner,” and draw comparisons with the music of Devendra Banhart, albeit recorded 35 years ago!We’re now several decades further on in the world’s slow self-destruction, but this sole recording by the Beautiful Losers has lost nothing of its freshness and superb arrogance. Blessed be the listener who is going to discover such a hidden treasure! CD $10 SKU:11172

BODO MOLITOR- Hits Internacionales (ultra-rare 60s Mexican psych holy grail for collectors paper-sleeve mini-LP replica. ) -Label:VAM MEXICO Official master-tape reissue of this ultra-rare Mexican garage psych record that's a holy grail for collectors. Globe-trotting artist Bodo Molitor may have been born in Germany, but he’ll forever be associated with the psychedelic scene in Mexico. In addition to creating the zoomorphic art for his own bizarre album, he also created the psychedelic art for the Kaleidoscope album, for La Libre Expresion, and for his brother Reinhold’s solo album. As for “Hits Internacionales”, it has all the ambience and psychedelic delirium of the time, full of devastating fuzz and wacked out rhythms. And then there is Bodo’s raspy and savage voice. Impressive. As Antonio Malcara says in his book "Catologo subjetivo y segregacionista del Rock Mexicano", this LP and that of Kaleidoscope are the two most important and representative pieces of Mexican garage rock-psychedelia. Collectors offer thousands of dollars to be able to get an original copy of “Hits Internacionales” in good condition CD $8 SKU:15120

BWANA- ST(1970 funk/psych rare-groove)Label:ACID SYMPOSIUM (Greece) YIKES! Cover way too controversial to show. Didnt know about it or i might not have ordered it. Google if you want.Reappearance on CD (with tasteless original cover art intact) of fantastic latin funk/psych rare-groove special from around 1970; as latin mavens Dusty Groove say, it’s “an insanely wonderful bit of Latin funk! The groove is super heavy, and falls somewhere in between NuYorican soul and Chicano Power rock—with a sound that's pretty close to Black Sugar, but a little bit more psychedelic, due to the heavy guitars and keyboards in the grooves. Hard congas take the lead on most of the tracks—especially the cut ‘Chapumbambe’, which starts with a nice breakbeat.” We say: astral-planar Latin jams, with blazing guitar and organ, laid down over hot funk/psych grooves; leads off with the eight-minute runaway train 'Tema de Bwana'; what's next, you wonder? why it's the intricate twin-guitar progressive call and response jam of 'La Patada'; the rest gets better from there, with songs that shift and flow until they hit an acid freakout point—check out the end of 'Chapumbambe', or the second half of the thirteen-plus minute soul/psych style rave up 'Lolita' that closes the album. CD $10 SKU:19051

CALVIN COOL & the SURF KNOBS-The Surfer's Beat (rare surf and drag album from 1963)-Label:ACID SYMPOSIUM First appearance on CD of this rare surf and drag album from 1963—great stuff that makes the Marketts sound like they were incompetent children banging pots and pans. Taken from the master tapes for superior sound. CD $10 SKU:18946

CASE - Blackwood - 70s rock VELVETS STYLE - Color booklet includes notes by the band + rare photos Limited to 500 copies.- Label:LION Color booklet includes notes by the band + rare photos Terrific primitive album recorded in 1971. Raw, primitive, like the Velvet Underground at their best. CD $10 SKU:15361

COMMON PEOPLE- Of the People (60s garage psych ala Seeds and Lollipop Shoppe)-Label:ACID SYMPOSIUM By the People, For the People.. This superbly moody album first appeared on Capitol in 1969. Produced by Lord Tim Hudson (The Seeds, The Lollipop Shoppe) and arranged by David Axelrod, its a superb blend of garage rock and orchestrated psychedelia, featuring a threesong opening salvo truly unlike anything else in pop. This is its fullest-ever release, complete with liner notes detailing what little has ever been discovered about the band CD $10 SKU:26042

DRUIDS-Burnt Offering( 1969 acoustic folk) -Label:ATOM The Druids were a superb acoustic folk quintet formed in 1969, who started a little too late to achieve the major popularity of outfits like Steeleye Span and Fairport Convention, although they were very well respected across the UK. The cover design, containing The Wicker Colossus of the Druids (depicting a scene like something out of the denouement to The Wicker Man), showed that the group meant business, and they had the musical smarts to back it up. There's not a dull or predictable moment here, whether they're singing of lust (‘The Cuckoo's Nest’), plague victims (‘Gabriel John’), or romantic woes (‘The Butcher and the Parson'), as well as a straight acoustic rendition of one version of ‘A Sailor's Life,’ a song that became something of a concert standard for Fairport Convention as an extended electric piece. Itinerant fiddler Dave Broughton joined them, and in 1970, while appearing in a documentary film about English folk musicians, they met fifth member Judi Longden, who added her voice to the proceedings. With their reliance on acoustic instruments, the Druids were far more tradition-based than either Fairport Convention or Steeleye Span. Their repertory consisted of traditional English, Scottish, Welsh, and Irish songs arranged for four voices, and their music had a pleasingly archaic feel, not resembling folk-rock at all. If anything, they sounded more like the kind of outfit that A.L. Lloyd or Ralph Vaughan Williams (editors of the definitive collection of English folk songs) would have approved of, without a trace of uncalled for elegance or pretentiousness. Burnt Offerings is the first time on CD and deserves to be out there sharing a piece of Folk history that allows the world to see how it is done. CD $12 SKU:24840

FALLEN ANGELS-The Great Society Sucks: Halloween 1968 (60s psych) Label:CICADELIC Since Washington DC was the home for the Fallen Angels, the band did not miss out on radicalizing the 1968 presidential elections by letting their disparaging views on the LBJ and his 'Great Society' be aired. Amidst all the politics is a great live performance by the Fallen Angels, combining original songs from their two psychedelic albums ('No Way Out' and 'Poor Old Man') with a previously unreleased song ('Everything Would Be Fine'), along with covers of Dylan (done acid-rock style), Donovan (raga-rock style), and Love (the highlight of the show, 'Signed DC' is a nine minute tour de force interrupted by a fist fight in the audience. The Fallen Angels broke up a year later in 1969, but not before blowing many a mind on the east coast during their glorious reign in Washington DC. CD $10 SKU:19760

FREEDOM’S CHILDREN- Galactic Vibes (1971S S AFRICAN HEAVY PSYCH ) W BONUS TRACKS - Label:FRESH Freedom's Children were the most important band South Africa ever produced, famous for their recipe of acid rock mixed with electronic experiments and tribal rhythms; here is the first-ever legitimate reissue of their third and last LP (Parlophone, 1971), which featured a 16-minute live for radio version of 'The Homecoming' (from their equally rare "Astra" LP)—a soaring , intense, wailing masterpiece, as well as the thud power rock of 'That Did It'; the rest of the record is often justifiably compared to Pink Floyd's "Ummagumma", with many "magic box" sounds finding their way into the mix ('Fields and Me' and 'The Crazy World of Pod' in partiular have strong Floyd elements at work); liner notes and photos have complete band history; includes an unreleased extended version of '1999' as a bonus track. The year was 1971, but the song was ‘1999’; the group was Freedom's Children, and the vibes were galactic. A many-layered album, almost to the point of being cluttered, but this is what makes it interesting. Each time you listen you can hear something new, be it a tone in Brian Davidson's wailing vocals, a riff from Julian Laxton's screaming guitar, a sequence of notes from Barry Irwin's booming bass, or the change from sticks to hands on Colin Pratley's awesome drumming. The album features some blistering, fuzz-edged guitars on the thundering ‘That Did It’ as well as the quieter and beautiful ‘Fields And Me.’ There is also the experimental keyboard piece, ‘The Crazy World Of Pod: Electronic Concerto.’ The orchestration on ‘About The Dove And His King’ adds beauty and sheen to what is a rough rock sound, due mainly to the inventive recording methods used. With layers of overdubs and no noise reduction, this method created what the sleeve notes describe as a "musical mystical mist of sound." An album that South Africans can be proud of, even thirty years later. It is a great musical achievement that can be hauled out again and again and simply marveled at. Includes an exclusive unreleased extended version of ‘1999’ as a bonus track. with bonus track CD $14 SKU:23325

GONZALEZ, WALLY -Tunog Pinoy (heavy acid blues psych Pink Floyd style)Label:VICOR ENTERTAINMENT (Philippines) Just listening to the soaring solos of the third track, ‘Pinag-isa’, makes us think how much this sounds like Pink Floyd circa “Dark Side of the Moon”—atmospheric, with breathy vocals, yet thick with that mid-70’s heavy energy at the same time; then you get to ‘Rock & Roll Mama’, and it’s stinging guitar leads and crunching rhythm section all the way; Gonzalez clearly was not a one trick (heavy acid blues rock) pony, which explains why this album has always been held in such high regard among those who had a chance to hear it. CD $10 SKU:18971

GONZALEZ, WALLY -Wally on the Road 70s (heavy acid blues psych)-Label:VICOR ENTERTAINMENT (Philippines) First off, don’t be deceived by the title—this is a studio album all the way; altogether a different sort of album from “Tunog Pinoy”, thudding out of the gate with the monumental ‘Kailan Pa Kaya’, syrupy treated vocals, John Bonham-esque drumming and all; dig too, if you will, the Zeppelin vibe of ‘Screw’ before sailing into the trippy, acoustic ‘Tattong Araw’, or the legendary ‘Wally’s Blues’; more effects than the earlier record, sounding more like newfound recordings from the late 1960’s than a mid-70’s record—this has more psychedelic credentials than most reissues which get that label bestowed upon them; you might say that while “Tunog Pinoy” is classic rock in the best sense, this is classic psychedelia, in the best sense. CD $10 SKU:18972

HAWK- AFrica She Too Can Cry (1974 African psych gem) - Label:FRESH South Africa’s Led Zeppelin! What do you get when you cross Cream with traditional African tribal vocals and the deep baritone of a master storyteller? Or, what would it sound like if Led Zeppelin swapped out tales of Gollum and the evil one in the depths of Mordor for yarns about brave hunters and village-attacking elephants? It would sound something like South Africa’s Hawk (also known as Jo’burg Hawk). In truth though, even trying to draw any such parallels falls flat for we have never before or since seen the like of Hawk. Their contemporaries were bands such as Freedom’s Children, The Otis Waygood Band and Abstract Truth, all legends in their own right, but no other band flew as close to the African sun and captured its glorious warmth as Hawk did. Arriving on the scene in the early 1970s, Hawk’s unique mixture of progressive, psychedelic rock was informed by a deep reverence for their African roots CD $14 SKU:20057

HOOKER - Rock and Roll (70s TEXAS guitar) Label:ROCKADROME Previously unreleased Houston hard rock band from the late 70’s with that ripping Texas twin guitar sound. This album was taken from sessions recorded in 1978, painstakingly unearthed, edited and remastered for proper release. On multi colored vinyl, limited to 500 copies! Hooker had been around in various configurations since 1972. First recordings began in 1974 at Rampart Studios under the direction of studio engineer Jeff Wells. Those early demos featured Hooker as a three piece hard rock/blues rock band, it wasnt until later that they began to take a decidedly heavier approach in sound and style. With the addition of Robert Hampton in place of Tim Cannon on lead/rhythm guitar, the band began to find their direction and hit the clubs hard. Influenced by bands such as Tin House, Ted Nugent, and Black Oak Arkansas, Hooker had it all on stage - flash, great songs, lots of groupies, and of course all the best drugs! Well, that couldn't last, and the band called it a day in 1983 when the lifestyle finally caught up to David Howland. The other members soldiered on in various reconstructed versions of Hooker, with varying degrees of success. The short lived post Hooker band Stallions was a highlight, with all the same elements of Hooker including three of the four members. Eventually, David would rejoin the band and Stallions became Hooker for all intents and purposes. Unfortunately, the music world had changed too dramatically since the days when a band could play the kind of loud, aggressive, dual guitar riff-rock that Hooker so convincingly played. This record represents the pinnacle of the band, the long lost 1978 Inergi Studios recordings that never saw official release all those years ago. This album is the one that should have come out in 1978. Better late than never." CD $15 SKU:18281

I DELFINI - ST (1966 Italian beat) -Label:WORLD PSYCHEDELIA Maybe the best beat album to emerge Italy, first issued on Disco CDB in 1966 (?) or 1967; I Delfini (or, "The Dolphins" as it translates) made a pretty good splash in their day, and why not? the lads from Padua wrote tight, punchy songs, had good production values (RCA studios), could sing (always a plus), and threw in a Beatles cover at the end in English, just for kicks; lyrics and band photos in 8-page booklet are great (but where's a band history?). A strong album for beat music lovers CD $10 SKU:20152

J FRANK WILSON & THE CAVALIERS-LAST KISS The Definitive Collection- Label:CICADELIC RECORDS n 1999, Pearl Jam scored a Number 1 hit with "Last Kiss". ... Hear all the recordings from the J.Frank Wilson and The Cavaliers,. A richly designed CD booklet, details the complete rise and fall of the group and the effect stardom had on their decline. . CD $10 SKU:22972

JARDINE- Look in the Window( lost jewel of late-1960's UK psych)Label:LION Jardine’s album was recorded in three glorious weeks in June 1969, at Sounds Aquarian Studios, a stone’s throw from that justifiably famous fashion hub, Carnaby Street. The sessions were fun. Polydor was supposed to release the album. Musicians dropped in to say "hello" and ended up on the record (uncredited)—among them Peter Frampton, Andrew "Andy" Bown (Herd and Status Quo), and Brian Appleyard (drummer from East of Eden). Singer Mickey Cox had been in Robert Plant’s pre-Led Zeppelin group The Band of Joy—it was Cox, in fact, who became their singer when Plant left the band. But suddenly, thanks to band management problems, the LP was shelved. Keith Law, who had written all of the songs, joined Velvett Fogg for their only album, and Jardine was forgotten. Now, forty years later, you can be among the first to discover the brooding excellence of these tracks, music both strange and sinister, with moments of fragile beauty. There are some very pretty songs here (haunting melodies abound), but there is no escaping the dark side of life (‘Masochists of Strangulation,’ ‘Execution of the Child,’ and monumental dirge ‘Blackbirds of Jardine’, which tells of self-same birds, and the fact that they will “destroy you, and leave you pain, pain, pain”), songs perhaps more akin to the band Comus than to anything else we have encountered from the psychedelic era. There are also heavy guitar solos, churning organ, flute, and flowing sitar, for good measure. A 16-page booklet includes a band history lyrics, and comments on the songs by Keith Law. A lost jewel of late-1960's UK psychedelia, from a short-lived but charismatic band! CD $10 SKU:10134

JEREMY DORMOUSE - The Toad Recordings (Legendary Canadian hippie psych rarity from 1967-68 w liners & original cover art) -Label:VOID/HALLUCINATIONS (USA) Legendary Canadian psych rarity from 1967-68 — one of the hardest to find collectable albums there is. Dormouse (aka Cris Cuddy) had previously been with a late sixties folk outfit, The Rejects, who also put out an ultra-rare privately-pressed album. He is supported by a range of backing musicians on this incredibly rare privately-pressed album, which was housed in a beautiful silk-screen sleeve. There are interesting interpretations of Dylan's 'Baby Blue' and Bo Diddley's 'Who Do You Love', but the highlights of this superb album are the vocals of Reign Ghosts' Linda Squires on 'High Flying Bird' and Leonard Cohen's ‘Suzanne.’ "While playing with Gullison, vocalist Lynda Squires and bassists David McKay and Nick Corneal, the concept of the Jeremy Dormouse LP arose and led to the living room sessions with Mike Clancy from another rare band, Hyde, engineering while the Waddington/Cragg/Tapscott songs were recorded at the university language lab by Peter Northrop." CD $10 SKU:15699

JUAN DE LA CRUZ-HEMIG NATIN(GREAT 70S GARAGE PSYCH from the Philippines)Label:VICOR First release of this essential album (1973) by hard-rock powerhouse power trio (a band, not a man) from the Philippines, who flourished in the 1970s-their first studio only album .Includes the garage-psych great, I Wanna Say Yeah. CD $10 SKU:26038

JULY- Second of July ( Stunning demos by one of the most important psychedelic bands to ever exist ) -Label:ACME/LION •Digipack with 12-page booklet detailing the history of July and their recordings
•Available again on CD after more than a decade By this time, anyone with an interest in psychedelia that stretches beyond the Beatles or maybe Strawberry Alarm Clock (at a pinch), knows who July is. Well, at least they know that a band called July put out a super rare album that is considered by many to be one of the pinnacles of the psychedelic era. There's no way to overstate the excellence of the album, with its eerie sound, Indian-influenced chord sequences, studio trickery (tape loops/phasing), and heavily reverb-laden vocals. But that’s not the story we’re here to tell. Even before that quintessential psychedelic album was made, band leader Tom Newman was experimenting with home recording equipment. In 1967, he installed basic recording facilities in the bedroom of his flat in an old Victorian house in Ealing. There, he and guitarist Peter Cook tried out ideas, coming up with many of the standout songs from the July album. The demos they recorded display the kind of confidence that Newman feels was lacking in the album proper (yes, the ultra- famous psychedelic classic album!) that they recorded in 1968. Let’s go back to the near-beginning of it all, to a flat in a Victorian house in Ealing, and listen in on demos recorded with DIY alacrity by a studio whiz, tracks which will change the face of psychedelia, eventually, after decades of obscurity. CD $10 SKU:16165

KENSINGTON MARKET- Avenue Road (60s pop) LAST COPIES! Label:PACEMAKER A staple on the Yorkville Village scene in Toronto during the mid-to-late '60's, Kensington Market were discovered in 1967 by musical entrepreneur Bernie Finkelstein (who would later help The Paupers and Bruce Cockburn, among others). Finkelstein was able to land the band a record deal with Warner Brothers. In 1968 Kensington Market did the soundtrack to the NFB film "The Ernie Game"—a big deal for a Canadian band. That same year they released their debut album, “Avenue Road,” (named after a street that intersects Yorkville Avenue). It was a modest effort, noteworthy for decent pop instincts and solid songwriting. This album tinkles like wind-chimes, refracts light like a sun-catcher in the window, has the charm of a luminous crescent moon candle, glow-in-the dark stars on the bedroom ceiling. Kensington Market were produced by Felix Pappalardi of Mountain fame, who also produced the Cream. Kensington Market were: Gene Martynec (keyboard, guitar, vocals), Keith McKie (rhythm guitar, vocals), Luke Gibson (guitar, vocals), Alex Darou (bass), and Jimmy Watson (drums & percussion). Same personnel both albums. Martynec later showed up as an arranger on Lou Reed's “Berlin” album! A band ripe for rediscovery. CD $10 SKU:19936

LOVE LIVE LIFE + 1- Love Will Make A Better You (Japanese psych) Label:DRONE SYNDICATE Number six on the Japrocksampler Top 50, available again for the first time in over a decade! "Commencing with singer Akira Fuse's goggle-eyed one-day-old-baby innocence, Love Live Life + 1's album opener 'The Question Mark' escorts us through an eighteen-minute free-rock R&B adventure like nothing before or since. Clanking harsher than even the title track of Funkadelic's Free Your Mind & Your Ass Will Follow, and twice as long; cosmic as the Cosmic Joker's Galactic Supermarket, and gnarly as John McLaughlin's out-there-a-minute axe excursions on Miles's 'Right Off'' or his own Devotion solo LP, do these guys fight for their right to party! The mellower second side includes the insanely brilliant eight-minute epic 'Shadows Of My Mind', in which Akira Fuse sings like some drunken Italian baritone, while atonal swooping strings and crazy brass support/undermine him; then it's off into a juggernaut bass-heavy clatter-thon with duel-axe outrage of the highest level. And how about that title track whose catchy bastard licks unashamedly rip Sly's 'I Want To Take You Higher', but still have you singing along with Fuse? The record closes brilliantly with the demented 'Facts About It All', which opens like Fuse laying a grunting 6/8 James Brown/Eric Burdon ballad on us. But no, this miniature R&B opera says in 2 minutes and 56 seconds what prog bands took a whole side to say. All hail visionary genius Ikuzo Orita for uniting his fave guitarist Kimio Mizutani with the errant free-jazz Gibson 335 of Takao Naoi, whose brittle spittle pops permanent wheelies around these slippery rhythm tracks. Also hail Orita for recognizing the genius of these songs of sax player Kei Ichihara, for trusting Akira Fuse's professionalism and open-mindedness, and for seeing this 33-minute-long classic to its unlikely conclusion." CD $10 SKU:10256

MADS Molesto (Psych Rock Wild Masterpiece 1968-1971) Label:LION Deluxe ed. w glossy insert full of photos Bi-lingual booklet with band history + lyrics & gig poster- Los Mads started out in the mid-1960's, playing covers and a few of their own songs on Peruvian television. But a chance sea-side encounter with Mick Jagger and Keith Richards after a private party got the Mads the chance to go to England; interest from Stones' manager Marshall Chess got them backstage to see Hendrix at the Isle of Wight and recording time in the Rolling Stones studio. CD $14 SKU:15326

MANDHYLON -Negra ciudad(68-70 Argentine blues psych)Label:LION From the ashes of the mythical Argentine duo Sandhy & Mandhy—who recorded in 1969 the intensely rare and beloved album “Para Castukis” (reissued by Lion Productions on vinyl and CD), a record suffused with beat and psychedelic influences—comes this resurrection by Mandhy of his "Celestial Stories." Alberto Vanasco Jr. (Mandhy) resumes his musical tale with twelve tracks written between 1968 and 1978. Recorded with the analogue essence and sound of the 70s, using vintage instruments like Farfisa and Hammond organ, and fuzz guitar. Features Argentine rock legends Nexus as the backing band. A record which brings together all of the various crucial elements of Argentine rock music: psychedelia, heavy blues, classic rock, and progressive rock. Stunning CD $15 SKU:24763

MARKLEY- A Group (US psych legends) Label:ACID SYMPOSIUM (Greece) Reissue on CD of what was actually the 5th and final album by The West Coast Pop Art Experimental Band are a showcase for the various dementias of vocalist Bob Markley (paranoia and a very keen interest in young—emphasis on young—women), and the electric shock treatment of guitarist/vocalist Dan Harris; the album's rich harmonies and full, delicate arrangements show the abundant influence of Michael Lloyd, who co-produced the album with Markley; tracks such as "Elegant Ellen", "Sweet Lady Eleven" and "Magic Cat" are nearly as good as some of the highlights from the WCPAEB catalog; a surprisingly consistent and accomplished album for a band about to collapse under the collective weight of it's own insanity. CD $10 SKU:26039

MICHAEL ANGELO - DBL CD w S/T" (Guinn Sessions) + "Sorcerer's Dream" + "Nuts" -Label:LION Stunning work from Michael Angelo – a little-known singer/songwriter from the Kansas City scene of the late 70s – one with a style that's totally great, but way too off the era's chronological expectations to get much notice at the time! Michael's music has a real late 60s vibe – some of the trippier folk modes of someone like Donovan, but mixed with the more complete songwriting of an artist like Nilsson or some of the hipper LA writers of the late 60s – all recorded in this laidback, understated way – especially for the 70s – with acoustic guitar most strongly in the mix, and a few other light rhythm touches and keyboards. The production's sharper than folk, but not much more so – and the music here is a great reminder that while we can look at the rock and roll timeline, and think that the punk explosion of the mid 70s was changing everything at once – out in the hinterlands there were still folks like Angelo who were dedicated to refining an older craft. The CD features a huge amount of material – the full original self-titled album, more tracks from those sessions, and a full second album recorded around the same time. 32 tracks on 2CDs, with lots of notes too – and titles that include "Field Of Lonely Eyes", "Future", "Journey To Find Who We Are", "Russian Lament", "Nubian Queen", "This Is The Night", "Love Is Too High", "Spirits Of Mercury", and "SOS Titanic CD $10 SKU:16805

NATIONAL WAKE- ST (80s South African punk)Label:FRESH The scene for developing free-thinking rock music in South Africa was a struggle against social and political barriers unlike any place else in the world at that time, except perhaps for the Eastern Block countries then under the thumb of USSR era communism. This is a story of struggle, the sum total of which reaches far beyond the music: National Wake, the band Ian Kadey led in the late 70s and early 80s, were South Africa's first, and indeed only, multiracial punk band. And yet Kadey had kept this unique story to himself, partly because he thought no one was interested (National Wake split in 1982 just after putting out their solitary release, an album of which only 500 copies were pressed), but also, Kadey says, because "it was too painful for me, so I just buried it". The band's two black members, brothers Gary and Punka Khoza had subsequently died: the former had struggled with mental illness and killed himself; the latter died from an Aids-related illness. " Kadey formed National Wake in the aftermath of the Soweto uprising of 1976 – "one of the conditions of living in a repressive state like that is that it just seems impossible to do anything about it, there's a kind of paralysis, but that was a real 'get up, stand up' moment: look at these kids, it's time to take up the fight" – their sound influenced by British and American punk and Bob Marley. If the South African authorities had somehow managed to overlook Bob Marley, they didn't miss National Wake, whose songs didn't exactly cloak their political message in layers of impenetrable metaphor. In three minutes, the band's signature tune 'International News' manages to decry state censorship, the war in Angola and what guitarist Steve Moni calls "the ostrich life of suburban South Africa, just spending your time deliberately trying not to notice things". They seem to have been viewed with a certain awe even by rival punk bands: "They had an aura, like wanted men," says Michael Flek, frontman of South Africa's first punk band Wild Youth. "When they showed up it was like the revolutionaries had arrived” CD $14 SKU:20406

PARRISH & GURVITZ BAND -S/T (1971 West coast sound) Label:WET WORLD fter disbanding Gun, Paul Gurvitz reunited with former Londoners/Knack band-mate Brian Parrish. The pair were soon signed to George Martin's Regal Zonophone label, which led to the release of their sole LP—fully infused with the US west-coast sound—in late 1971. Martin produced a second album that was never released, featuring the talents of Mike Kellie (ex-Spooky Tooth), Micky Gallagher (pre-Ian Dury) and Rick Wills (pre-Foreigner), who would collectively go on to become Peter Frampton's Camel. This double-disc set compiles the 1971 LP and ten tracks from the unreleased follow-up, with liner notes and unreleased pictures. For those who like details, here is a more complete band history, from Paul Gurvitz: “Brian Parrish & Paul Gurvitz met in 1963 in London. Paul was a hairdresser and Brian a client. They talked about playing in a band and then formed The Londoners. The Londoners started playing U.S. army bases in France and Germany and finally made their way to Hamburg where they became a resident band in the famous Star Club. They made several records for the Star Club label before returning to London to start a new band called The Knack. The Knack disbanded in 1966—Paul Gurvitz formed a band called Gun (featuring Peter Dunton of Please, Neon Pearl, and T2 fame), and later, Three Man Army. In 1971 both Paul and Brian had started solo projects but decided to drop the solo projects and form Parrish and Gurvitz. They recorded their first album with producer Lou Reizner, and after it was finished, their managers took the album to George Martin, who decided to re-record the album and sign Parrish & Gurvitz to his own label. The first album, "Parrish and Gurvitz," featured Brian on vocals and guitar and Paul on vocals and bass; on drums was Mike Kellie (Spooky Tooth). Parrish and Gurvitz put a band together to tour the U.S. which consisted of Brian Parrish on guitar and vocals, Paul Gurvitz on guitar and vocals, Mike Kellie on drums, Micky Gallagher on keyboards, Ian Drury and Rick Wills on bass. That lineup recorded a second album with George Martin that was not released until now. Paul Gurvitz went on to record a clutch of gerat albums with Three Man Army, the Graeme Edge Band, and of course, Baker Gurvity Army with the legendary Ginger Baker on drums.” $10 each (2xCD)
CD $16 SKU:26020

PLASTICLAND- ST Aka Colour Appreciation (60s influenced psychedelic/garage magic) - Label:Hardknocks Hard-to-find band-authorized CD version of the 1984 debut album from these neo-psychedelic great—pure 1960s influenced psychedelic/garage magic, a trip not to be missed for any reason! This seventeen-track CD has all the material from both of these (and several other) editions of the band’s debut, including their hair-raising version of the Pretty Things’ (as Electric Banana) song ‘Alexander CD $14 SKU:23655

PROTOTYPE- ST (old school AOR 1983) Label:PACEMAKER A great AOR album, with a Hipginosis cover and a top 30 hit in Video Kids. Prototype was Dan Lowe and Brad Stekel who had been in the 49th Parallel, Painter and 451. "Very good, if you like old school AOR with great keys, you'll love this CD. Doug Riley is a fantastic singer and this is indeed a very fine AOR album. I don't think you'll find better examples of pompy AOR than 'Behind Your Eyes' or 'Live Forever.’ An excellent blend of high class melodic rock with great use of backing vocals and loads of keyboard blasts coming out of everywhere! CD $10 SKU:21225

PURPLE GANG -Strikes - 1967 Label:TALKING ELEPHANT When Pink Floyd recorded ‘Arnold Layne’ in a converted Chelsea abattoir in 1967, their producer Joe Boyd was also working in an adjoining studio with another band. The former Young Contemporaries Jug Band, renamed the Purple Gang (for “the whole rhythm section” in Jailhouse Rock) seemed to have a gem in ‘Granny Takes a Trip.’ The Floyd’s Syd Barrett thought it would be a hit and John Peel called it “one of the all-time great records” ? but the BBC had other ideas and promptly banned it, even though the trip referred not to LSD but to an old lady’s ambition to visit Hollywood. With its honky-tonk piano, homemade jug taking the bass line and one of pop’s great kazoo solos, Granny remains an innocent, timeless reminder of the first summer of love. This 50th Anniversary version of the band’s album features bonus tracks, including two versions of the Syd Barrett song ‘Boon Tune,’ which he suggested to the band they should use as a follow up to ‘Granny Takes a Trip.’ A bit of the hippie acid-folk vibe seeps into one of the better and more mysterious cuts, ‘The Wizard,’ which actually does have a trilling electric guitar. A wee bit of British pop-psych bonhomie also colors ‘The Sheik,’ ‘Kiss Me Goodnight Sally Green,’ and their most famous track by far, 'Granny Takes a Trip’ (which is still jug band-based, despite the psychedelic implications that some read into the title). CD $12 SKU:24853

QUINTAL DE CLOROFILA- O Mistério Dos Quintais (1983 Argentine psych folk )Label:DISCOS MARIPOSA Only album by psychedelic folk duo formed by brothers Dimitri and Negendre Arbo, part of a set of folk groups from Brasil comprised of “gaúchos” (native country people); Quintal de Clorofila is one of the few bands of this sort who got to make a record, which was released by the independent label Bobby Som in 1983. For this LP, Quintal de Clorofila recorded their own compositions, with lyrics by their brother, the poet Antônio Carlos Arbo. According to Dimitri Arbo, the band mixed rock, medieval music, Afro, oriental and Latin rhythms... a blend of music they dubbed "Viking Rock" (not sure why). It’s a complex sound to be sure, with tremendous depth and abundant inspiration evident throughout all of the album’s atmospheric songs. An album much beloved by Hans Pokora—and now by us. Two alternate versions of songs from the album are included as bonus tracks CD $10 SKU:20151

RARE BIRD -Somebody’s Watching (60s Brit prog) -Label:TALKING ELEPHANT Rare Bird were an English progressive rock band, formed in 1969, who released five studio albums. “Somebody's Watching” was the bands fourth album, released in 1973. It includes their classic interpretation of Ennio Morricone's theme to ‘A Fistful of Dollars.’ Rare Bird is a very interesting group. They started out as progressive soul meets hard rock unit, not unlike Spooky Tooth. By the time Rare bird recorded “Somebody's Watching,” they had evolved into a much funkier groove. The title track has a Steely Dan like precision. The is some exciting funky prog. And the show stealer is the closing track, ‘Dollars’: Rare Bird created a funk rock monster jam that many take hands down over Babe Ruth’s ‘The Mexican’ jam, also an homage to Ennio Morricone's classic. CD $12 SKU:24854

RED KRAYOLA - God Bless the-- CD with booklet Label:CHARLY "The Ground-Breaking 1966 album. Re-mastered by SONIC BOOM. 2CD edition with both the Stereo & the first re-issue of the Mono version. 16 Page Booklet with previously unseen images. Deluxe Media Book - Limited Edition." A low-fi psychedelic classic. With its weird time signatures, loopy bass and drums, Mayo Thompson is a kind of Syd Barrett by way of Texas. Their previous album is a loud, freaked out classic. This album influenced bands as diverse as Galaxie 500 (who covered the catchy ‘Victory Garden’), Spacemen 3, Gastro Del Sol and in spirit if not sound, many of the Chicago bands that involve John McEntire (The Sea and Cake, Tortoise) and many others that record for the Drag City label. Second album by the American experimental rock band Red Krayola, released in May 1968 by the International Artists record label. “‘God Bless the Red Krayola and All Who Sail with It’ bears precious little resemblance to anything else that appeared at the time; it would take a few decades of post-punk experimentalism before Mayo Thompson's vision would have a truly suitable context, though the album's playful undercurrent goes a long way toward making these tiny shards of sound go down easily for the musically open-minded.” The Spin Alternative Record Guide called the album "superb," describing it as "small songs full of quiet terror and acoustic confusion.” Media book packaging is very nice.Along with the Elevators, The Red Crayola were the mainstays of the International Artists label, and are recognised in Psychedelic circles as producing some of the strangest music ever (combining elements of avant-garde and garage with wild, experimental freak-outs and chilling stripped down songs which sounded unlike anything from the 1960s). CD $15 SKU:20346

SAN UL LIM - 3 (1977 psych power pop garage) - Label:WORLD PSYCHEDELIA (Korea) The liner notes say, “they wanted to mNake this album as Western top class Hard-Rock music. This time they didn’t use organ and used only guitars, drums and bass as a power rock trio, and also made songs in a Hard rock style (songs which were not ballad style or popular).” But, of course, the result is not a “Hard Rock” record at all. Maybe that’s what we love best about San Ul Lim: they were complete failures—they never managed to create the sound they were trying so hard to make... and this album is no exception. True, the record starts out with throat-shredding vocals and a guitar sound that is suddenly ever-present, fuzzed-out, and ominous sounding; but by track two, we already have dreamy melodies, (supported by that fuzz guitar and ending with some punk wailing); track three is pleasant and lilting—very much not Hard Rock; track four is a nine-minute slow-burn; and then you have the almost 19-minute track that was side two of the original LP—droning fuzz guitar psychedelia at it’s maniacal best for six minutes, before what sounds like a prolonged theremin solo (a keyboard?); then we’re back into a ‘White Light, White Heat’ groove, with imaginative fuzz guitar soloing to take us home. Korean rock specialists called the first three San Ul Lim albums “the demo tape triple collection”. These are regarded as the band’s best recordings “because they made most songs on these albums between 1971 and 1975 (before their debut). Therefore the songs had their early originality and creativity.” CD $10 SKU:19025

TERRY & THE PIRATES- Comanche Boots (70s San Francisco Quicksilver Messenger Service )-Label:ACADIA Twenty nine years after the release of the original Too Close For Comfort comes the third issue of this priceless and timeless music from San Francisco's own Terry & The Pirates.” Another view: “Probably only remembered today as one of the many bands graced by the guitarwork of John Cipollina following his departure from Quicksilver Messenger Service, and as a footnote in the career of Nicky Hopkins, Terry and the Pirates deserve much greater recognition. Although Cipollina’s feral guitar is undoubtedly essential to their charms, the work of Terry Dolan himself should not be underestimated. His voice is an acquired taste, a strange mixture of David Crosby and Captain Beefheart, but as such, it’s impressively distinctive. Meanwhile, his songwriting mines that same rich vein of American folk which yielded ‘Pride Of Man’ (so memorably covered by Quicksilver). The best songs on this collection of various live and studio recordings are certainly Dolan’s own. Whilst a version of Jackie Wilson’s ‘Higher & Higher’ might be entertainingly audacious, covers of ‘Mystery Train’ and ‘Don’t Do It’ aren’t going to make anybody forget those by The Band, despite some impressive sparring between Cipollina and second guitarist Greg Douglass on the latter. In this context, tracks like ‘Inside and Out’ and ‘Inlaws and Outlaws’ distinguish themselves as fine examples of original Californian rock n’ roll. Even if none of this is especially ground-breaking or epoch-defining music, it’s played with spirit and any fans of West Coast music who might have easily overlooked it should be sure to rectify their mistake. CD $10 SKU:18999

THIRD ESTATE, THE-Years Before The Wine & AGONISTES (1976 psych )DBL Label:LION Third Estate’s “Years Before the Wine” is an ambitious and intricate psychedelic concept album from 1976 about the French Revolution (!) which blends warm Southern summer sounds (the band were from Baton Rouge, Louisiana) with baroque song structures. Never fear, the serious subject matter is no match for the strong songwriting and light, flowing music. Stunning vocals from Fae Ficklin on the title track are lovely, but even without them this album would richly deserve its status as a psychedelic classic. Stark, intimate production, with tasty fuzz guitar, backwards tape-loop soundscapes and beautiful treated acoustic guitar, puts one in mind of the Ithaca/Agincourt/Friends trilogy from England. The sound of exploration is evident everywhere, as the band spreads its wings, and glorious harmonies flow forth. The previously unreleased album recorded as Agonistes (1973) shows that the later recordings were no fluke—it can stand alone as one of the most beguiling folk/psych albums we’ve ever heard. Additional bonus tracks include singles and home demos. Budget-priced double disc package includes a 28-page color booklet, with histories of both groups by band co-leader Robert Everett, as well as lyrics for all the songs included herein. CD $10 SKU:19996

TIDAL WAVE-Spider Spider-Best Of The Tidal Wave (S African psych pop 1969) Label:FRESH The Tidal Wave were one of South Africa's foremost exponents of psych influenced pop music in the late 60's and early 70's with hits like ‘Spider Spider’ (1969) and ‘Mango Mango’ (1970) and ‘With Tears in My Eyes.’ Although they existed for a relatively short time, the band is regarded by many as the bridge between pop and the then developing 'underground' South African rock scene. This compilation gathers together for the first time all the hit singles, B-sides and rarities. Yes, they did play pop and had a few hits, which were featured on the top radio stations at the time, Springbok Radio and LM Radio. However Tidal Wave also played very interesting psychedelic pop rock enhanced by the fuzz guitar sounds of Mike Pilot. There is a wide variety of music styles covered on this Tidal Wave retrospective. Lovers of end-of-the-sixties psychedelic pop and rock will discover many hidden gems, including the progressive rock sounds of ‘Get It Out Of Your System’ which would not have been out of place on an Abstract Truth album. This disc also includes the funky soul sounds of ‘Town Girl’, featuring Peter Vee’s lead vocal, which was previously unreleased. Tidal Wave is fondly remembered by many and now all their music—the hits, misses and rarities can be found in one place. CD $14 SKU:20408

TIN HOUSE- ST (70s powerhouse rock) w liners, rare photos, insert plus pic slv EP -Label:LION There's a vibe within the grooves of Tin House, which makes it sound fresh even 46 years after its initial release. This relatively obscure power trio from Orlando, Florida were admired and approved of by Johnny and Edgar Winter, and Leslie West was also a fan. Comprising ten juicy tracks and clocking in at 34 minutes, Tin House is a roller-coaster ride through hard and heavy blues rock blasters and gentler twists and turns, all executed with individuality and excellent musicianship. High testosterone levels fuel the frenzy of pile-driving opener 'I Want Your Body,' with its naff lyrics taking a back seat to the full on proto-metal assault. It's a killer track, and not the only one. 'Silver Star,' with the opening line "Ride a crimson horse through the depths of hell," exudes more class than all-out bombast, with hints of Cream and Mountain shining through the darkness. 'Be Good and Be Kind' is another belter, as is ‘Jezebel,' while the semi-acoustic ‘Tomorrow' shows a mellower side, as does the lush string section on majestic closer 'Lady of the Silent Opera. Early-70s American hard rock albums don't get much better than Tin House. Floyd Radford is the star of the show with his tasteful playing, soloing, riffs, textures, and overall tone. Had he not been poached by the Winter brothers, who knows what kind of future Tin House would have had? LD — Classic Rock magazine, March 2017 CD $10 SKU:17823

UMBRA - ST(Brown ACid 70s heavy)Label:LION Umbra’s story is that of a band from the early 1970’s who recorded what they wanted to record: heavy, heavy music from the start of the “American Comedown Era” as we’ve seen it described by our friends for their “Brown Acid” series; a band whose music, terrific though it is, has never to this point been released out into the wide world. The tracks are hard-edged and heavy, verging on acid rock at times. Makes sense, as Umbra was a power trio most of their too-brief existence. Yet the songs (heavy though they are) have a deft touch. Spacey intros and weird effects were created by recording guitar licks, then re-recording them played backwards at double speed. There is an utterly refreshing category-free approach to writing songs that makes Umbra’s music exciting to hear. Comes with a 16-page booklet, with lyrics, photos, plus interesting and funny things that can only happen to musicians, and did to Umbra. CD $14 SKU:21740

VON, RONNIE -A Máquina Voadora (70s psych)-Label:DISCOS MARIPOSA “The last and probably best album from Vons incredible psychedelic trilogy from the years 1969-1970. We said some time ago that of the three key albums from this long-time Brazilian pop-star, that the first was the best, but hearing this again suggests that its time to revise that opinion. It1s true that all three albums make it clear that the psychedelic effects of Tropicalia were not confined to Os Mutantes, Gilberto Gil, Caetano Veloso, and Gal Costa. Yes, Von often takes a poppier angle in getting to a similar fuzz-guitar driven musical landscape, but not only does he get there all the same, on this album the pop is minimal, and the fuzz supreme. Its difficult to describe how balanced this album is, as it features truly one-of-a-kind songs, which include any number of effects and treatments of Ronnie1s enchanting voice, all of which matches perfectly with the mysterious and melancholic songs on the album. Listen to it and let yourself fly into the far reaches of Ronnie Vons dreamy, twisted mind. Comes with a fulsome 20-page booklet that includes a history of Vons career (sort of), as well as lyrics” CD $10 SKU:26088

BEAUTIFUL DREAMS -Ember Sixties Pop: Volume 5, Ember Girls (66-69) Label:FANTASTIC VOYAGE VOYAGE Nice shrink-wrapped slip-case packagingAll recordings are mastered from tapes and the booklet is illustrated with sleeve and label shots. The original Ember records are highly collectable: so you can’t beat these great beat and rock collections from the Ember vaults. The concluding chapter of the Ember Sixties Pop series, which covers the years 1966 to 1969, and compiles the releases of three fine female singers. The publicity conscious Ember boss Jeffrey Kruger saw an opportunity to promote supermodel Twiggy as a singer, and signed her to the label in 1966. Her two singles were written and produced by Tommy Scott, who had overseen Twinkle’s hits ‘Terry’ and ‘Golden Lights.’ At the time, the singles became huge hits in Japan, which resulted in Twiggy appearing at the Budokan Hall in Tokyo, not singing her songs but parading the latest fashions while a local group played Beatles covers as accompaniment! Linda Thorson was a television favorite as the glamorous sidekick on The Avengers TV series COMP CD $10 SKU:19204

GROOVE CLUB 1- Le Confisierie Magique (60s psych/pop rarities! ) SAALE!- Label:LION Great French rock compilation from the late 1960's. The Groove Club present 22 records dug out as a tribute to Fabrice and Stéphanie’s kinky franco-pop faves, from those magic years 1966-71, with two inclusions from 1976 & 77. COMP CD $10 SKU:13277

GROOVE CLUB 3- VA Cambodia Rock Spectactular Label:LION Packaged in a deluxe casebook with a 36-page booklet filled with rare photos and the heart-wrenching stories of the most beloved artists in the Khmer Rock movement COMP CD $10 SKU:12986

IT’S A HAPPENING!-Texas Girls of the 60s- Label:CICADELIC All seven recordings by The Heart Beats are included on this album, along with other great female led bands from 1966, such as The WordD from Dallas and The Bombshells of Houston. An added bonus is folk singer, Linda Pierre King from Houston, whose self-penned originals from 1966 foreshadowed subsequent folk singers such as Janis Ian and Melanie. COMP CD $10 SKU:12744

REVOLUTION -Teen Time In Corpus Christi (1966 Texas garage) -Label:CICADELIC In 1966, famed lead guitarist Rod Prince (later of Bubble Puppy) re-wrote the 13th Floor Elevators' song 'Tried To Hide' as 'All Night Long' and released it with the Bad Seeds as their third single. They were the number one band at the time in Corpus Christi. Although 'All Night Long' would beat the Elevators' 'Tried To Hide' (on International Artists) to the market, the Bad Seeds disbanded in the summer of 1966 and other renowned Corpus bands would follow in their footsteps, most scoring top ten hits on the way: Four more with the ultra-rare single 'Problem Child' b/w 'Don't Give Up Hope'. The Zakary Thaks with 'Bad Girl' and 'Face To Face'. The Liberty Bell with 'The Nazz Are Blue' and 'For What You Lack'. The Buckle with 'Baroque Rock' on 'I've Got Something On My Mind'. Folk-rock singer Michael backed by The Zakary Thaks on all three of his singles, sounding more like a 1966 era Bob Lind than Bob Lind. And Kubla Khan singing about changin' times in 'Revolution' and pondering whether 'the brown grass will be legalized'. Memorabilia such as top 30 radio surveys, rare photos, news articles from the era, interviews with band members, sixteen page booklet, and twenty-eight tracks (including previously unreleased recordings) combine to make this a trip back to the '60s, when a revolution in sound was happening in Corpus Christi, Texas." COMP CD $10 SKU:19762

TWO TIMING BABY -Ember Sixties Pop: Volume 2, 1961-1962Label:FANTASTIC EMBER In 1960, Jeffrey Kruger launched Ember Records as an independent, one of very few in the UK, where the majors held sway. Straight away, the label set about trying to break into the charts with many fine pop releases. The Ember Sixties Pop series compiles the best of those records. “Two Timing Baby” picks up the story from where Say When: Ember Sixties Pop Volume 1 (FVCD044) left off. Carter, Lewis & The Southerners first Ember single ‘Two Timing Baby’/’Will It Happen To Me’ features Joe Meek engineering, Geoff Goddard on piano, Albert Lee on guitar, Chas Hodges on bass and Bobby Graham on drums. The Meek connection continues with Mark Douglas only single: Joe produced ‘It Matters Not’/’Upside Down’ and Tornado Clem Cattini confirms he drums on both tracks. American songwriters Buddy Kaye and Phil Springer penned many hits, including ‘The Next Time’ for Cliff Richard. They brought several songs to Ember and Grant Tracy was the adaptable vocalist on ‘The Great Matchmaker’/’The Tears Came Rolling Down’ and the follow-up flip ‘Taming Tigers.’ Other beneficiaries of the prolific Kaye and Springer were Johnny Carson (‘Are You Anyone s Girl’/’Teenage Bachelor’ and, again, ‘The Tears Came Rolling Down’) and Sandra Gale (‘Hello Heartache’/’If She s Right For You’) who had been girl singer with the Ray Ellington Quartet, joining Ember when Ellington did. Kruger chose the songs for Lita Roza’s single with the aim of moving her sound towards pop and rock n roll, and she turns in fine performances on ‘Mama (He Treats Your Daughter Mean)’/’(He s My) Dreamboat,’ aided by a driving band led by Tony Crombie. Brooklyn-born Kerry Adams recorded her single in New York, conducted by future soul giant Jerry Ragovoy. The Dale Sisters cute harmonies are evident on their second Ember single, ‘Road To Love’/’Secrets.’ Tommy Sanderson’s second Ember 45 combined trad-jazz ‘Ding Dong Rag’ with groovy ‘Piano A Go Go,’ which would have made a great theme for a TV detective show. Many of these original singles are highly collectable (mint copies of Mark Douglas are valued at £75, Carter, Lewis & The Southerners at £50 and Lita Roza at £30). Subsequent volumes will carry the story through to the end of the sixties, with further sought after tracks included. The series is complemented by compilations devoted to beat and rock from the Ember vaults. Recordings are mastered from tape, where available, and booklets illustrated with sleeve and label shots. Nice shrink-wrapped slip-case packaging. COMP CD $10 SKU:19205

ACROSS THE WATER-ST (1975 prog rock rarity)Remastered, Gatefold-Label:SEELIE COURT Split LP has neo-classical prog rock epic on side one, and “gorgeous” downer folk on side two. "An unknown and precious album recorded in 1975 by two friends who recorded one side each, they made just two acetates and then handmade beautiful covers from two enlargements of a photograph of the Isles of St Kilda. Side one is a neo classical prog rock epic in the style of Renaissance and Continuum, inspired by the wild and pagan isles of St Kilda where, as a 16 yr old, the composer Peter McKerrow was taken by military launch to conduct a census on the rare Soay Sheep that live there. A storm blew away his tent on the first night. The other side is by his Canadian pal who attended the same Uni in england, deeply homesick for Canada and surviving a broken relationship these songs are melancholic and Leonard Cohen-esque. The original Lp is astonishingly gorgeous and one of the most desirable artifacts of the prog era.” Gatefold edition, limited to 500x copies. LP $28 SKU:24143

CROOKED OAK -From Little Acorns Grow (70s folk)-Label:SEELIE COURT Crooked Oak is one of the very few folk bands who imbued their songs with mystery, power and grandeur. The combination of Steve Evans’ sonorous voice and haunting Irish pipes convert the songs into a beautiful mystical experience. It might compare to the stunning ‘Wild and Beautiful’ by Silly Wizard, with that same captivating majesty of form. Very rare, the late great record dealer and collector Walter Geertsen, one of the founding dealers who helped shape the progressive rock market, considered this LP as one of his personal favourites, alongside COB "Moyshe Mc Stiff" and John St Field “Control." Very different LPs, but all with moments of aching, dark melancholia. So to describe Crooked Oak as ‘acid folk’ would be misleading, instead it is a deep, profound and beautiful work of art, lifted by superb vocals and wrapped in a sense of mystery. The band channel the music, tradition, heritage, and the magic that still courses through Sainted Albion’s blood soaked lands. In that sense it sits alongside Spriguns of Tolgus and Stone Angel as one of the most beautiful folk albums of all time. Steve Evans, the main force, died after living in Africa a few years ago. Issued with permission of Steve Evans widow. Quite traditional folk, but magically so. LP $30 SKU:24681

DEUTER - D (German cosmic psych 1970) Label:MISSING VINYL We say: ““A wonderfully entertaining exploration of drones, swells, rhythms, and melodies. Deuter was clearly a student of Indian ragas, but he took that influence and mixed it with drug-tinged psychedelia and synthesizers to create a vibrant new hybrid. If you're into kraut-rock, world music, ambient, and/or psychedelia, you need to get this album. Also highly recommended to fans of Acid Mothers Temple and the new psychedelia...” Deuter was a product of both East and West. Eckart Rahn, a young record producer at that time, recognized Deuter's talents, and in 1971 released his first recording, “D,” on the then fledgling Kuckuck label (not, we hasten to mention, in any way a “new age” album). Deuter began to go into the mountains to record birds, water and wind to accompany his music; he also began spending much of his time at an ashram in Poona, India. Deuter was also one of the first artists to blend that Eastern influence into his music. Yet he did that blending in such a gentle fashion that it never jarred Western ears, unaccustomed to Eastern rhythms and tonalities. The terrific “D” album is an all solo affair recorded via multi-tracked guitars, electronics, percussion, flutes, and so on, in what looks to be Deuter’s bed-room; very psychedelic processing, at times an almost ADII-like heaviness mixing with more Popol Vuh-ish mystical spaciousness. Perfectly crafted headspace and always a pleasure to absorb, this is one of the finest and most unheralded albums of the early 1970s German scene. An all-time favorite.” label says: “Deuter was one of the earliest multi-instrumental soloists in Germany. He is considered to be one of the pioneers of New Age music and is still active, having released more than 40 albums. D, his first album, was released on the legendary Kuckuck label in 1971 and is considered to be a classic. With guitars, sitar, organ, harmonium, Asian and Oriental percussives, etc., it is a mixture of psychedelic underground rock, cosmic music and ethnic fusion, at places similar to Amon Düül 2, Between and Popol Vuh. Limited edition, deluxe 180g vinyl, exact reproduction of the original first pressing LP $26 SKU:21068

FELT- JACKSON, MYKE - Alone(obscure 70s psych folk/power pop /lounge rock!) SAALE!~Label:ANAZITISI This is the first ever official reissue of this under-rated and very rare record (rarer than Felt on Nasco). You will not find it in the Acid Archives, Endless Tr ip or Fuzz, Acid & Flowers books.Myke Jackson (aka Mychael John Thomas) famous for his FELT LP in 1971, privately pressed "Alone" in 1975. This is an extraordinary LP: a dream for worldwide record collectors.This nine-song album encompass all those great different kinds of music the 70s has produced (psychedelic folk, power pop, lounge-rock etc..). Now it’s time to re-appraise this brilliant one-man project LP $24 SKU:20820

FINCHLEY BOYS -Lost Tributes (8 unrel. heavy psych tracks recorded 1968 - 1971)Label:ANAZITISI “Lost Tributes” consists of eight unreleased heavy psychedelic tracks recorded between 1968 and 1971 by this prolific Illinois band. Included is the scheduled, but never materialized 7” single from 1969, which would have contained different, punchy and more wild, recordings of two Finchley Boys standards, 'Hooked' and 'Outcast'. It also includes the almost 9 minute long 'Who goes there?', perhaps the most psychedelic offering by the band. LP $34 SKU:20821

FOX- For Fox Sake (1970 UK PSYCH ZOMBIES STYLE)- Label:SOMMER Originally released in 1970 but sounding more akin to ‘67-68, “For Fox Sake” is a superb example of UK psych, highly recommended if you’re into APPLE, KOOBAS, ZOMBIES, OCTOPUS, SKIP BIFFERTY, SPENCER DAVIS GROUP, RUBBLES. First ever vinyl reissue with original UK artwork. Remastered sound and insert with photos / memorabilia plus liner notes by band member Steve Brayne. Formed in Brighton in 1968 with roots to the mod-soul scene, The Fox consisted of Steve (Stephen) Brayne on lead guitar & vocals, Winston Weatherill (ex-Gary Farr & The T-Bones) on lead guitar & sitar, Alex Lane on keyboards & vocals, Tim Reeves on drums and Dave Windross on bass. During their brief existence they supported The Herd and opened for David Bowie. Their sound was loud and righteous with great vocal harmonies, tight rhythm section and wonderful keyboard /guitar solos. After getting signed to a London management, they recorded their only LP in one session and they had it released in the UK on the Fontana label and on the USA on Crewe, featuring a different cover. Sadly, the band broke up following year and since the inclusion of “Butterfly” in one of the Rubbles comps several decades later, they've become a cult group among psych collectors LP $25 SKU:22891

JARVIS STREET REVUE Singles and More(RARE CANADIAN PSYCH monster plus insert and liners) Label:VOID WOW! Here's a collection of singles and unissued tracks by Canadian underground psych masters JARVIS STREET REVUE, best remembered for their 1970 LP 'Mr. Oil Man', which remains one of the most extreme albums ever to appear through major Columbia. LP $22 SKU:17090

LIVING SACRIFICE BAND-Beauty for ashes (75-82 West Coast Xtian heavy rock)SAALE - Label:ANAZITISI From 1975 to 1982 the Living Sacrifice Band would play literally hundreds of concerts from the west coast to the east coast and privately produce 3 albums between 1977 and 1981. "Beauty for ashes" is their second one, from 1979. Side A contains 5 pleasant xian folk-rock ballads, with beautiful female vocals and excellent flute and keyboards work, reminiscent of early 70's UK bands. Side B seems to be different enough, containing three extended rock (you could even call them heavy rock) tracks with female and male vocals as well and lots of fuzzy, distorted guitars, and wild flute leads. 3 tracks of the album are (co-)written by Jim and Vicky Tsapatoris of Last Call Of Shiloh fame. This is an officialy reissue, represented here with the original B/W cover which is much rarer than the second edition from 1980, with the well-known "Flower Girl" cover. Fully laminated cover. Includes extra triptych (6-pages LP-sized) insert with bio, photos, lyrics and memorabilia and a reproduction of the second 1980 edition's ("Flower Girl") front and back cover. Reproduction of an LSB original poster is also included. Limited to 200 black and 100 coloured copies. 180gr vinyl as usual. PVC protective outsleeve LP $17 SKU:20838

MCKENNA MENDELSON BLUES- ST (bluesy psych demo tapes from 1968) -Label:PACEMAKER Another great album from Canada's legendary Paragon label, a set of super bluesy psych demo tapes from 1968; the band’s album “Stink” was received not just as a great album of electric blues, but as some sort of revelation when it appeared in the second half of 1969. Lead guitarist Mike McKenna spent time ('67-'68) in the Ugly Ducklings, but he had already developed a 'local hero' tag by playing hard electric blues as a member of the legendary Luke and the Apostles. Together, he and Joe Mendelson made arrestingly earthy music, which soon attracted another of Toronto's rock gods of the day, bassist Denny Gerrard from the Paupers, whose legendary talents had served him well on the stage of the Monterey Pop Festival, where his work with the Paupers was (and still is) considered a highlight. The material included on this disc, which was demo material that now the band claim was “bootegged” by the legitimate Paragon label (a little revisionist history, perhaps?), is arguably even more rare and interesting than that on their classic McKenna Mendelson Mainline "Stink" album. LP $24 SKU:19498

MYSTERY PLANE-Still Life (70s Amon Duul style)-Label:COLOR DISC : Mystery Plane formed in 1980 from the ashes of 70's new wave band 3D5 who's line-up also featured future Cure member Porl Thompson. This record was originally a demo cassette made in 1981 that was hawked around record labels with a view for release. Later Color Tapes released a 100 copies edition. To support their demo at the time the band played such gigs at the Marquee, Rock Garden and The Bridgehouse supporting bands such as Fad Gadget, Modern English and Henry Padovani (Ex-Police) in London. This sublime minimal basement krauty synth LP was inspired by bands such as Neu, Amon Duul ll, and "Vienna" period Ultravox. The album features guitar work of Gerald O' Connell who was a big fan of Ash Ra Tempel's guitarist Manuel Gottsching. A year later he went on to form Lives Of Angels who made the classic cold wave album "Elevator To Eden" which was originally released on Color Tapes in 1983. Mystery Plane have been featured on the sold out Cold Waves Of Color compilation series. The album has been remastered by Denis Blackham and comes complete with a poster insert. (LP) Import edition, limited to 250x copies. LP $22 SKU:20978

SANDSTONE- Can You Mend A Silver Thread (70s rare private press acid psych)Label:MISSING VINYL Sandstone's sole 1971 privately pressed album is one of the best and rarest early 70s US psychedelic folk rock records. Although only recently rediscovered, it is very sought after from worldwide collectors both for its rarity and musical quality. Great male female vocals in an early 70s UK psychedelic acid folk rock sound similar to Tudor Lodge, Jade etc. It contains 2 previously unreleased bonus tracks, not included in the original album. Highly recommended! Limited edition, deluxe 180g vinyl, from the original analogue master tapes, exact reproduction of the original first pressing. LP $26 SKU:16715

SHOTGUN-Dallasian Rock(70s blues rock Prev. unrel vintage studio tracks)SAALE! - Label:SHROOMANGEL (USA) A blend of hard hitting riff rock á la early Led Zeppelin and James Gang, with a guitar attack reminiscent of bands like Leafhound or Edgar Broughton Band. Tight, muscular, lean and mean urban blues rock riffage and soaring, soulful vocals, punchy bass and solid drumming make for a memorable set of songs that you won't soon forget. Shotgun had a successful career in and around Dallas, TX between 1974 and 1977, playing the club circuit and recording at the cities best studios. Sadly, nothing ever came of the recording sessions and Shotgun eventually morphed into VIZION, which released an album in 1980 that featured the vocals of Jan Houston. Finally after more than 38 years, Shotgun's long lost studio sessions are presented for the first time ever on LP as they were meant to be heard. The CD versions includes eleven additional bonus tracks.The most amazing thing about these tracks is how they remained on the shelf all these years! •Tight, muscular, lean and mean urban blues rock riffage. •Previously unreleased vintage studio tracks from the 1970's LP $22 SKU:19500

STEPSON- Lost Tapes (Bluesy hard rock 1974 Ltd ed with insert , liners and photos )-Label:LION/ VINTAGE Including full size insert with detailed liner notes by Doug Sheppard, plus photos, and lyrics Bluesy hard rock band that rose from the ashes of Touch. Their sole album was released on ABC/Dunhill Records in 1974. Despite the fact that the band never toured in support of their amazing album, over the years the word has gotten out about this incredible album and the band enjoys cult success among collectors. Easily one of the best examples of "cock rock" ever put onto wax.• Long sought after unreleased recordings from this hard-nosed raunchy Detroit-style 70s hard rock band whose 1974 debut album on ABC is highly regarded. Memorable tracks featuring vicious growling guitar from Joey Newman, soulful vocals of Jeffs Hawks, along with the non-stop rocking backbone of Bruce Hauser (bass) and Len Fagan (drums). These guys really knew how to ride the pocket and lay down some badass rock ‘n’ roll. LP $17 SKU:15357